While I was away, the U3 arrived, the...........

.................police and the state power company and I owe Michelle big time! The furniture removalist engaged to pick up the U3 from Perth and deliver it here to Denmark had driven up our street in his truck many times. This time unfortunately, he managed to knock down a power line 2 doors up just before he got to my place.





Despite all this, the U3 is now ensconced happily in it's new home. It will wait patiently for the piano tuner to arrive for a touch up tune, some hammer pricking and damper unsticking too I would think. It is such a privilege to have a real piano to play on and I look forward to the difference that I know it will make for me as a player.

Yamaha U3

Now I have had a term of piano lessons, it has become evident that if I am serious about learning to play, then  using a digital piano to do so is not going to do the job. My teacher Franz is constantly telling me to play more softly and I have had further confirmation recently that overplaying is a typical fault of players who have only used a digital piano. So, I have been researching the possibility of getting an acoustic piano and this had led me to the conclusion that a grey market Yamaha U3 is probably the best option providing a great combination of quality and value. I started off thinking that a U2 would do the job as any piano I might purchase, had to have a practice pedal, but quickly discovered that there was a wider availability of U3s. As I knew I would be in Perth this week, I googled for private sales of Yamaha pianos and up popped a U3 for $4300.00 which was within my price range. After a 5 hour trip to Perth and multiple txt messages, I arrived at the owner Amelia's home to view and play the piano. Her baby was asleep, but fortunately it was time for him to get up anyway, so I got stuck into this U3 which sounded very well, played nicely and I was able to confirm that the pedals did their job. It was clearly in need of a tune and a couple of the lower keys were obviously suffering from lack of use but came good with a bit of massaging. Amelia mentioned that her father had originally purchased the U3 for her from a Peter Hudson at Piano World in Bentley. After I had done a bit of playing, some further conversation about the piano revealed that Amelia was a jazz singer and pianist who had probably been appalled with what she had just heard. Coincidentally, she had studied at WAAPA also as I had back in the early 1980s. I never buy anything on the spot but told Amelia what I was likely to offer and that I would get back to her either way once I had reflected further and checked out what Piano World had to offer. That turned out to be an experience in itself eventually resulting in my confirming an offer of $4000.00 to Amelia and ultimately agreeing on $4100.00.

Peter Hudson's Piano World was a complete and utter eyeopener with not one but two showrooms absolutely chockablock with pianos and most of them were U3s!  Apart from supplying many other brands, Peter told me all about the quality Yamaha grey market pianos he specialises in importing and how they are stripped and brought up to scratch before being sold. I had the pleasure of playing about 6 U3s and all of them displayed a quite unexpected character, touch and tone of their own.  I would have loved to purchase one of them particularly, but it was going to cost me $7000.00 including freight. The fact that Amelia's U3 was purchased from Peter only 4 years earlier meant it was a no brainer that it would be worth purchasing the one she was offering for nearly $3000 less. It is going to cost me a very reasonable $350 to get the U3 to Denmark and, as soon as Amelia confirms the funds have appeared in her account, I will engage Albany furniture removalist Gary Sweetnam to do so. I can barely wait!

How are the lessons going Robin?

Well, I thought you would never ask! Great, really great. I am spending far more time at the piano each day now as I have so much to work on.

1. Scale of C two octaves each hand and both hands in contrary and similar motion.
2. Duvernoy studies 1 & 2.
3. A one page arrangement of the beautiful main theme of Schubert's Unfinished Symphony.
4. The 3 canons from the beginning of The Children's Bach.
5. The Henry Purcell Minuet from the Easy Classics to Moderns series
6. Various technique exercises from The Joy of First Year Piano Technique.
7. I am still working on a couple of my own pieces Edison's Tune and Yungup and continuing to play Andy's Song and keeping up with my improvising.

Has my playing improved you ask? Hell yeh! I am bedding the notes to the key bed now and even on my digital piano the tone is better and I am actually hearing some new qualities to the sound of the notes.
I have also made a little discovery which has really helped thumb under crossing on a white key scale. I have not heard of this anywhere but I am placing my fingers closer to the ends of the black keys and particularly so on the note held by the finger immediately before the note the thumb needs to cross under to play. Probably common knowledge but sometimes it is worthwhile discovering this sort of thing for oneself.

First ever piano lesson

Yesterday, I had my first ever official piano lesson with the Reverend Franz Moeller. I chose Franz because I knew that he was prepared to get out and present recitals and I was keen to have a teacher that understood the repertoire from a performers point of view. We had a preliminary meeting last week so as we could meet each other, I could play and give him some idea of where I was at so as he could devise a pathway for me. Because I have tertiary level training on the classical guitar and understand and read music well already, I told him that I felt I needed reining in and assistance with honing an orthodox piano technique. He was straight on to it and I arrived for the first lesson this week to discover he had purchased 3 books for me to start work from. "The Joy of First Year Piano Technique", "The Children's Bach" and "Duvernoy's Elementary Studies Opus 176". We worked mainly on getting an even legato sound using the scale of C in both hands and varying dynamic levels. I found it very difficult to play softly and evenly and I think this is due to the slightly unorthodox way my hand sits at the keys. I say that because during my first practise session this morning, following yesterdays lesson, I am already making a change to my hand positions to get the thumb pointing more directly up towards the back of the key it happens to be on. This has enabled me to get more curl in the fingers, more control of the dynamics and follow through with the thumb more efficiently as Franz mentioned that I needed to do. Fantastic progress already!

Padrucci!

I have obtained a lot of my scores from the fantastic Petrucci Music Library website and the other day I stumbled upon an iPad app named Padrucci that brings the library directly to your iPad foregoing the need to use a secondary application to store your scores. Brilliant! Not so brilliant at first actually, but now doing what it should; see my comments below!
I have also discovered a couple of useful videos recently too. The first being a series of 4 lessons with Seymour Bernstein based on his best selling book "With your own two hands".  He goes deep into the mechanics of playing the piano both from the pianos point of view and the human playing it. One tip he suggested, that made an immediate difference to my playing, was to consciously relax the underside of the forearms as there is a natural inclination to tense this area particularly if the going is getting a little difficult. Most edifying!



The second channel I think might be worth your while checking out is Paul Barton's "Classical Piano in Thailand" of all places. This guy really knows his stuff and is a pretty handy player too. I first discovered him by accident really when I viewed his lesson on Chopin's Fantasie Impromptu.



After an interesting and quite lengthy historical explanation of the piece and his views on why Frederic refused to publish it he hops in to how to play it. This explanation included some very useful diagrams such as the following explaining how triplets in the left hand fit with semiquavers in the right hand which is an integral part of this Impromptu. Bloody good stuff and I will be checking out more of his videos.

The final part of this lengthy and feature filled post is that I had the unexpected opportunity to play a brand new Kawai Baby Grand and it was a pleasure and I would have liked to have spent a lot more time playing it. The lucky owner is an acquaintance of ours who runs the local newspaper with her husband. It looks like she and I will be sharing the same piano teacher starting in March and I will let you know more about that soon.

Composition on the iPad 2

I am pretty excited because yesterday I discovered Symphony Pro. A very capable app for the iPad allowing me to write music anywhere, anytime. The developers have cleverly implemented the touch screen interface in a quite intuitive way to get the dots on to the stave with a finger. Alternatively, you can use the internal keyboard or an external keyboard, which I have done using my Yamaha S90XS with the Apple camera connection kit and a USB cable from the To Host USB port.
Incredibly, you can import pdf, jpg, gif, png and bmp files and the experimental sheet music scanner will have a crack at converting it into an editable MusicXML file. At this point in time it is not always successful but does put the file in to a format that allows you to then send it to Sibelius or Finale for further work. As I use Sibelius the Dolet plug-in needs to be installed to read the MusicXML file.
As well as MusicXML, you can export in PDF (B&W and colour), MP3, AAC, MIDI and as a Symphony file to share with other Symphony users.
This app is new so it has frozen on me a couple of times but the developers are resolving these issues very quickly. The app costs $15.99 here in Australia and is worth every penny. When I first got an iPad 2 I had no idea how much I would be using it in my musical life but it has already become an essential tool as I keep many of my scores on it using OnSong and now it has become even more useful!

Newcomer - Edison's Tune!

Newcomer - Edison's Tune by Ramsnake

I wrote this piece to mark the birth of my first grandchild Edison James Cornwallis Thomson on the 11th of January 2012. It happens to be a good exercise in arpeggiated octaves too! You can get the dots from Score Exchange here!